Cadmium Red Hue
Approximate colour reference · screen calibration may vary
#C8282C

Cadmium red is the quintessential warm, opaque red of traditional oil painting: brilliant, covering, and absolutely certain of itself. It is the red of poppies, ripe tomatoes, red ochre landscapes, and every glowing still life in every painting school since the 19th century. Art Spectrum Studio Blend Oil Cadmium Red Hue reproduces this same character using a lightfast, non-toxic naphthol-based pigment formula. The result is an opaque, warm, high-chroma red that performs like cadmium at a far more accessible price, without heavy metal pigments.

★ Art Shed Staff Tip
Cadmium Red Hue is the workhorse red for portrait painting. Mix it with Titanium White and a touch of Yellow Ochre or Naples Yellow to build the warm mid-tones of skin in direct light. Shift toward Alizarin Crimson Hue for the cooler shadow passages, and use pure Cadmium Red Hue for the warmest, most light-struck highlights on fair skin tones. The three together cover almost the entire range of a warm-lit portrait.
Perfect For
Portrait skin tones Poppies & red florals Still life reds & warm fruit Sunset warm tones Colour blocking on dark grounds Bold, saturated warm red
Tinting Strength: High
 
 
 
 
 
Strong, saturated red that holds up in mixes. A small amount goes a long way into white.

What Makes This Colour Special

Pigment
Naphthol Hue Formula
PR112 (Naphthol AS-D). A non-toxic, lightfast naphthol red that delivers the warm, saturated character of cadmium red without cadmium. Widely used in professional paint ranges as a practical cadmium substitute.
Transparency
Opaque
Fully opaque. Covers dark grounds cleanly and holds its red character without needing multiple layers to build up intensity. Excellent for confident, single-layer applications over dark passages.
Lightfastness
ASTM II (Very Good)
Rated ASTM II. Very good lightfastness across expected indoor and gallery display conditions. The naphthol formula is non-toxic and compliant with modern studio safety practices.
Consistency
Buttery, Triple-Milled
Triple-milled in refined linseed oil. Smooth, even consistency that applies cleanly across all stroke types from broad impasto to fine detail work.

The defining character of cadmium red is its warmth and opacity: it sits on the orange side of red, rather than the blue side, which puts it clearly apart from Alizarin Crimson and the quinacridone reds. That warm bias makes it the natural partner for yellows and oranges in painting warm light, and makes it the right choice whenever you want a red that reads as warm rather than cool.

In portrait painting, Cadmium Red Hue fills a very specific role: it is the warm side of the skin tone gamut. While Alizarin Crimson handles the cool, darker shadow reds, Cadmium Red Hue carries the warmth in the lighter and more direct-light passages of the face. Mixed with Titanium White and small amounts of Naples Yellow or Yellow Ochre, it produces the full range of warm Caucasian mid-tones. At higher concentrations it creates the flush tones on cheeks, ears, and nose tips.

In floral and still life work, Cadmium Red Hue is the go-to for red poppies, strawberries, tomatoes, red capsicums, and any subject where the red must read as confident and warm. It does not shift orange the way Cadmium Orange Hue does, nor does it lean blue like the quinacridone reds. It sits directly in the warm red zone and stays there reliably in mixes.

Mixing Suggestions
Combine this colour with...
 
Titanium Whitewarm pinks and blush tones, essential for portrait warm highlights and floral light passages
 
Cadmium Orange Huehot orange-reds for sunsets, flame tones, and intense warm passages
 
Alizarin Crimson Huea full, deep crimson that is far richer than either alone, ideal for rich shadow reds and deep florals
 
Burnt Umberdark, muted brick and terracotta tones for earthy landscape passages and shadow glazes

Why Art Spectrum Studio Blend Oil Belongs on Your Palette

  • Non-toxic cadmium red character. PR112 naphthol formula delivers warm, opaque red intensity without heavy metal pigments. Safe for studio use, teaching environments, and disposal.
  • Opaque and direct. Covers dark grounds without the need to build up multiple layers. Essential when you want clean, confident warm red applied directly.
  • Rated for exhibit work. ASTM II lightfastness. Suitable for studio paintings and gallery-exhibited work.
  • Triple-milled in refined linseed oil. Melbourne-made to studio-grade standards. Smooth, predictable application with no grittiness or pigment separation.
  • Australian-made since 1966. Six decades of Art Spectrum manufacturing quality, from the same Epping facility that produces their professional Finest Artists' Oils range.

Getting the Most Out of This Tube

For portrait skin tones, keep a separate palette area for your warm skin mixture: Cadmium Red Hue, Naples Yellow or Yellow Ochre, and Titanium White. Mix large batches and step them lighter with more white rather than re-mixing repeatedly, which introduces inconsistency. The warm passages of the face should all come from this same core mix, with adjustments for lightness only.

For red florals, apply Cadmium Red Hue thickly in direct light passages and glaze with thinned Alizarin Crimson Hue over dry passages to create shadow depth. The combination reads as a rich, luminous red that is far more interesting than either colour alone. Allow the first layer to dry completely before glazing to avoid lifting.

Because this is an opaque colour, thinning with too much medium will reduce its covering power. For the best results, use it at full consistency from the tube in light-struck passages and reserve thinned application only for small areas of subtle colour adjustment.

About Art Spectrum Studio Blend Oil: Melbourne Made Since 1966

Art Spectrum has been manufacturing artists' materials in Epping, Victoria since 1966. The Studio Blend Oil range is the rebrand of the former Art Prism range, with fresh new packaging and artwork. The formula is unchanged: same pigments, same linseed oil base, same manufacturing standards. It is a studio-grade oil paint designed for working artists who want reliable, lightfast colour at a practical price. The 26-colour range covers the complete mixing spectrum and is fully compatible with all Art Spectrum oil mediums and varnishes.

What is the difference between Cadmium Red Hue and Alizarin Crimson Hue?

Cadmium Red Hue is a warm, opaque red that leans toward orange. Alizarin Crimson Hue is a cool, transparent red that leans toward blue-violet. In portrait painting, Cadmium Red Hue is used in the lighter, warm-lit skin passages while Alizarin Crimson handles the cooler, deeper shadow areas. In still life, Cadmium Red Hue is preferred for subjects that read as a warm red, such as tomatoes and poppies, while Alizarin suits darker, cooler reds like deep roses and red wine. Used together, they provide the full red gamut from warm light to cool shadow.

What pigment is in Art Spectrum Studio Blend Oil Cadmium Red Hue?

Art Spectrum Cadmium Red Hue uses PR112 (Naphthol AS-D), a non-toxic organic pigment that produces the warm, saturated, opaque red character associated with cadmium pigments. PR112 is widely used in professional oil paint ranges as a practical cadmium alternative with good lightfastness (ASTM II) and full compatibility with other oil pigments.

Is Cadmium Red Hue good for mixing skin tones?

Yes. Cadmium Red Hue is one of the most useful colours for warm skin tone mixing in oil painting. It provides the warm red component that, combined with Titanium White and a warm yellow such as Naples Yellow or Yellow Ochre, produces the full range of light to mid skin tones for warm-lit portraits. It is particularly useful for the flush of cheeks, ears, lips, and the lightest warm passages of the face in direct sunlight.

Is Cadmium Red Hue transparent or opaque?

Cadmium Red Hue is opaque. It covers dark grounds well and does not require multiple layers to build up full colour intensity. This makes it particularly useful for direct painting, colour blocking, and light-struck highlights where you want the red to read as clean and unmodified by the ground beneath it.

Is Art Spectrum Studio Blend Oil the same as Art Prism?

Yes. Art Spectrum Studio Blend Oil is the direct continuation of the Art Prism range under a new name and packaging. The formula, pigments, and linseed oil base are unchanged. If you have used Art Prism Cadmium Red Hue before, this product is identical in colour and performance.

Art Shed Online is an authorised Australian stockist of Art Spectrum products. All Art Spectrum Studio Blend Oil colours are sourced through official distribution channels. We ship Australia-wide.

Available at Art Shed Online, Australia's specialist art supply store, delivering Art Spectrum Studio Blend Oil to artists across Australia with fast, tracked shipping. Questions about this colour or the range? Contact us at customerservice@artshedonline.com.au.

(APCR1)

SKU APCR1
Barcode # 9323926000536
Brand Art Spectrum
Shipping Weight 0.0168kg
Shipping Width 0.055m
Shipping Height 0.040m
Shipping Length 0.200m
Shipping Cubic 0.000440000m3