Light Red Bright  #134 · Series A
Approximate screen rendering, converted from Holbein’s published Munsell notation 8.0R 4.5/9.5. Screen calibration varies.

Light Red Bright is not an earth colour, despite the traditional name. Holbein builds it from PR9 and PY3, both listed as Monoazo Pigments, so it is an organic red warmed with a yellow rather than an iron oxide. Munsell puts it at 8.0R 4.5/9.5: the hue sits at the warm, orange-leaning end of red, the value of 4.5 keeps it mid-depth, and a chroma of 9.5 is strong without being strident. Expect a clean, slightly brick-toned red. Two stars for lightfastness.

It behaves like a brighter stand-in for the traditional earth reds, which makes it useful for roof tiles, terracotta, brickwork, weathered timber and skin tones that need warmth without dropping into brown. Illustrators use it as the warm red in a limited palette, because the built-in yellow means it moves towards orange with very little help. With Titanium White it gives a long ladder of dusty salmons and adobe pinks, and a touch of Ash Blue knocks the chroma back for shadow without the deadness black brings. Model makers like it for rust and oxide finishes.

★ Art Shed Staff Tip
Reach for this before you reach for Orange. Light Red Bright with a whisker of Deep Yellow gives a hotter terracotta than any premixed orange, and because it is only two pigments you can mix it again identically next week.
Perfect For
Warm brick redTerracotta and rustLimited palettesArchitectural subjects

What Makes This Colour Special

Pigment
PR9, PY3
Holbein lists this as Monoazo Pigment, Monoazo Pigment.
Lightfastness
★★☆☆ (2 of 4)
Two of four on Holbein’s scale.
Series
Series A
Holbein’s series letter reflects pigment cost, not quality. Series C is the specialty colours.
Size
20ml tube
Sold as a single tube, so you can buy the colours you actually need.
Mixing Suggestions
Combine this colour with...
 
Titanium Whitea ladder of dusty salmon and adobe tints
 
Ultramarine Bluea warm, muted plum-brown for shadow
 
Yellow Ochrea softer, sandier terracotta
Swatch dots are approximate, converted from Holbein’s published Munsell notation for each partner colour. Mixing outcomes are our own guidance, not Holbein data.

Pigment, lightfastness and series as published by Holbein. Holbein does not publish an opacity rating for individual colours; the range as a whole is described by Holbein as opaque.

Acrylic Gouache, Not Traditional Gouache

Acrylic gouache is a hybrid: the pigment load and flat finish of gouache, carried in an acrylic emulsion instead of gum arabic. Holbein Acrylic Gouache dries to a matte opaque finish and is water resistant once dry, so it does not reactivate with water like traditional gouache. For a strong warm red like Light Red Bright that means you can lay a flat, then draw, glaze or overpaint on top of it without the underlayer moving. Water is the only thinner needed. The full colour list sits on the Holbein Acrylic Gouache page.

Poster paint and this are different animals. Poster colour is built to be cheap, chalky and washable, so it lifts if anything damp lands on it. Light Red Bright is pigment in an acrylic emulsion, so the film locks down and the colour you mixed is the colour that stays there.

Why Holbein Acrylic Gouache Is in Serious Studios

  • Genuinely opaque. Holbein describes the range simply as an opaque acrylic paint. It covers, including over darker colour, which is the whole point of reaching for gouache rather than watercolour.
  • Velvety matte, no sheen. Holbein describes the colour as opaque, intense, smooth and velvety. It dries flat, which is why it photographs and scans without glare.
  • Water resistant once dry, so you can layer. Holbein’s own wording, and the reason the range exists. A dry layer will take another one over the top without lifting.
  • The colour you mix is the colour you get. Holbein states it does not shift in colour tone from wet to dried colour. Anyone who has watched a perfect grey dry into a different grey will appreciate that.
  • Built to use straight from the tube. Holbein says it is specifically designed to be used directly from the tube and will dry to even, uniform paint layers.
  • Works on more than paper. Holbein lists paper, canvas, cloth, stone, wood, leather, plexiglass and concrete, with excellent adhesion, and full compatibility with all acrylic mediums.

Getting the Most Out of This Tube

Straight from the tube is the default. This is what Holbein designed it for, and it is where you get those even, flat, uniform layers. Add a little water to loosen it, but go easy: very diluted washes can dry streaky across a large flat area, so build coverage in thin even coats rather than flooding it on.

Watch the palette, not the clock. Holbein gives an open time of roughly 10 to 30 minutes and notes the drying time is much like ordinary watercolour. The practical consequence is that paint left sitting on the palette will go off and will not come back, so squeeze out small amounts as you need them.

It plays well with acrylic mediums. Holbein states the range is compatible with all acrylic mediums, so you can change the body or extend the working time if you want to. Soft synthetic brushes suit it, since they hold enough paint to lay a flat area without dragging.

Questions About Holbein Light Red Bright

Is this the same as a traditional Light Red earth pigment?

No, and it is worth knowing before you buy. Traditional Light Red is an iron oxide. Holbein makes this one from PR9 and PY3, two organic Monoazo pigments, which is why the name carries the word Bright. It sits at a chroma of 9.5, noticeably more saturated than an oxide red, so treat it as the vivid option rather than the earthy one.

How does it compare with Burnt Sienna for warm mixes?

They do different jobs. Burnt Sienna is the quieter, duller earth note in a mix, the one that settles a colour down. Light Red Bright arrives with far more chroma, so it holds its own in flat graphic work where an earth would read as muted. If you want both a bright warm red and a soft one, the two sit happily together in the same palette.

Does Holbein Acrylic Gouache reactivate with water once dry?

No. Holbein describes it as water resistant once dry, specifically so you can paint layer upon layer, which is the main practical difference from traditional gum arabic gouache. Note that Holbein says water resistant rather than waterproof, and very thin, heavily diluted passages can still be disturbed if you scrub at them with a wet brush.

(NU2540021134)

Information PDF Download PDF
SKU NU2540021134
Barcode # 4900669071341
Brand Holbein
Shipping Weight 0.0290kg
Shipping Width 0.035m
Shipping Height 0.020m
Shipping Length 0.100m