Quinacridone Burnt Orange
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There are colours on the palette that do one thing. Then there are colours that do two completely different things depending on how you use them, and both things are brilliant. Quinacridone Burnt Orange (S7) is firmly in the second camp. Squeeze it out and you have a deep, brooding brown-red — almost earthlike at full strength. Thin it to a glaze and suddenly you are working with a glowing, luminous amber-orange that makes autumn foliage painters weep with joy. One pigment, two entirely different personalities.

★ Art Shed Staff Tip
Do not judge this one straight from the tube. The mass tone is a dark, rich brown-red — beautiful, but only half the story. The real magic is in the glaze. Dilute it over a warm light ground and watch the colour transform into something that genuinely glows. It is one of the most dramatic mass tone versus undertone shifts in the entire GOLDEN range. Experienced glazers already know. If you are new to it, your first proper glaze with this colour will be a moment.
Perfect For
Autumn foliage glazingWarm shadow tonesSunset/fire skiesTransparent landscape layersEarth tone mixing
Transparency: Full
Transparent — made for glazing, layering, and luminous colour effects

What Makes This Colour Special

Pigment
Single Pigment
PR206 — quinacridone, synthetic organic. Clean, predictable mixing. No fillers, no surprises.
Opacity
Transparent
Ideal for glazing and layering. Colour builds luminously without going muddy.
Lightfastness
ASTM I — Excellent
The highest possible lightfastness rating. Exceptional long-term colour stability.
Formula
Zero Fillers or Extenders
Pure pigment in 100% acrylic emulsion. The full ingredient list. Nothing hidden.

Quinacridone Burnt Orange is a single-pigment colour (PR206 — quinacridone, synthetic organic). That means clean, predictable mixing with no hidden second pigment muddying the water. When you reach for this colour to shift a warm shadow or deepen a glaze, it does exactly what you expect and nothing it should not.

The transparency is the whole story here. Straight from the tube the mass tone is a deep, almost earthlike brown-red — with genuine depth and richness. But thin it out and the colour opens into something entirely different: a brilliant, warm burnt orange-red that glows from within. It is the kind of shift that makes layering addictive. Warm shadows in portraiture, autumn light in landscape, fire and sky effects — this colour handles all of it with a luminosity that opaque paints simply cannot replicate.

Lightfastness is rated ASTM I — Excellent. The top of the scale. Your glazed layers will hold their warmth for decades under normal indoor display conditions.

Mixing Suggestions
Combine this colour with...
Ultramarine Bluerich dark neutral
Hansa Yellowvivid warm orange
Titanium Whitewarm peach and coral tints
Phthalo Greenrich dark earthy brown

Why GOLDEN Heavy Body is in Serious Studios

  • No fillers. No extenders. No dyes. Pure pigment in 100% acrylic emulsion. That is it.
  • Buttery consistency that holds its peak. Brushstrokes stay. Palette knife marks peak and stay peaked. No overnight slumping.
  • Batch-to-batch colour consistency. Every production run is matched. Your palette does not change on you between orders.
  • Permanent and waterproof once dry. A flexible, archival film that will not crack, yellow, or reactivate with water.
  • Fully intermixable with all GOLDEN mediums, gels, and pastes. No weird reactions, no surprises. Also plays beautifully with other professional acrylic brands.
  • Series 7 pricing — based on pigment cost and rarity, not quality. Every series is made to the same uncompromising standard.

About Series Pricing

GOLDEN uses a Series 1 through 9 pricing system based purely on pigment cost and rarity. Series 1 uses the most accessible pigments. Series 9 uses the expensive, rare ones. What it does not mean is that Series 1 is lesser quality than Series 9. Every single series is made to exactly the same uncompromising standard. Quinacridone Burnt Orange is a Series 7 colour, priced at $39.95 per 59ml tube.

Getting the Most Out of This Tube

Straight from the tube the mass tone is deep and brooding — a rich brown-red with real character. But where this colour truly earns its place is in the glaze. Dilute it with GOLDEN Glazing Liquid or a fluid medium and apply it over a warm underlayer to unlock the full luminous burnt orange-red. Landscape painters, portrait artists working warm shadows, and anyone chasing that glowing autumn-light quality will find it indispensable.

Thin with water up to around 25% for smoother applications. Beyond that, reach for GOLDEN Fluid Medium or Glazing Liquid — heavy dilution with water alone can compromise the binder over time.

Need more working time for wet blending or soft edge work? GOLDEN OPEN Medium or a touch of Retarder slows drying significantly — giving you the kind of working window that oil painters are used to.

A Note on Availability

GOLDEN has discontinued Quinacridone Burnt Orange as the pigment PR206 is no longer being manufactured. We have existing stock available now — but once it is gone, it is gone. If this colour is already on your palette, it is worth stocking up. If you have been meaning to try it, now is the time. As an authorised Australian GOLDEN stockist, we sell genuine product with full manufacturer quality assurance.

Questions About GOLDEN Quinacridone Burnt Orange

Is GOLDEN Quinacridone Burnt Orange still being made?

No — GOLDEN has discontinued Quinacridone Burnt Orange because the pigment PR206 is no longer in production. We still have stock available, and while it lasts you can buy it here as a genuine product from an authorised Australian GOLDEN stockist. If this colour is part of your practice, we recommend securing what you need now. Once current stock is exhausted, it will not be restocked.

What pigment is in GOLDEN Quinacridone Burnt Orange?

Quinacridone Burnt Orange is a single-pigment colour using PR206 — a quinacridone pigment of synthetic organic origin. Single-pigment paints mix cleaner and give more predictable results on the palette. There are no hidden secondary pigments affecting the mix. It is also one reason the pigment discontinuation matters: PR206 is not interchangeable with any direct substitute, which makes existing stock genuinely collectible for artists who rely on it.

Is it transparent or opaque?

Fully transparent. This is a glazing colour at heart — it is not designed to cover, it is designed to glow. Apply it over a light ground in a thin layer and the colour becomes luminous in a way that opaque paints simply cannot replicate. That said, at full undiluted strength the mass tone is surprisingly dark and rich — which is part of what makes this pigment so interesting to work with.

What does "Quinacridone Burnt Orange" look like — is it actually orange?

That depends entirely on how you use it. Straight from the tube the mass tone reads as a deep, dark brown-red — quite earthy and serious-looking. But thin it to a glaze and the undertone reveals itself as a brilliant, warm burnt orange-red with genuine luminosity. This dramatic shift between mass tone and undertone is what makes Quinacridone Burnt Orange so prized among glazers and landscape painters. Think of it less as a single colour and more as two: a rich dark shadow note at full strength and a glowing warm orange in the glaze.

What can I mix Quinacridone Burnt Orange with?

As a single-pigment transparent colour it is an excellent mixing partner. Add Ultramarine Blue for a rich, deep dark neutral that works beautifully as a near-black or tonal anchor. Mix with Hansa Yellow to push it toward a vivid warm orange. Add Titanium White for warm peach and coral tints. Combine with Phthalo Green for a rich, dark earthy brown with more complexity than standard earth tones. Because there is only one pigment at work, every mix is clean and predictable.

(GLD1280-2)

SKU GLD1280-2
Barcode # 738797128026
Brand Golden
Shipping Weight 0.0630kg
Shipping Width 0.050m
Shipping Height 0.050m
Shipping Length 0.050m